\Art For Several Day, Nov 16, 17 &18,
Here is the piece I made on Saturday, Nov 16th and got so busy I forgot to put up! It features a stamped flower design with really cool wavy lines surrounding the flower all in a dull black on white fabric. I placed it on top of some really bold dye painted fabric that is filled with color and movement.
I quilted the flower lightly inside the petals with red thread and heavily around the outside edge with the same thread then added a think line of yellow quilting in the center. The background around the flower is stitched with blue green in the white lines. The white border around the flower is quilted with wavy yellow lines. The colorful background fabric is quilted in a pale yellow which surrounds the shapes and moves throughout the negative, white space.
I sort of like the piece, but the quilting looks rushed and I wish I had taken more care when doing it.
This piece was done this morning as was the next piece. It features a piece of silk that I mono-printed on glass plate using Silks acrylic glaze and Jacquard screen printing ink. It is the ghost print from the original print used in the piece below. I used a piece of plastic from a paper plate holder that one of the studio students, Rochelle, brought in for me as well as a comb.
I cut the fabric into several pieces and added them to a piece of blue green/yellow green silk noil. I heavily quilted the noil with three, fancy feathers. Then I quilted the hell out of all of the white negative space around the portions of blue wheels. I kept the stitching about 1/8" apart to really push back the white and bring the wheels out which worked great. The grid portion in the lower left is quilted following the light lines.
This piece is way better looking in person. It's rather abstract and funky and I like it a lot.
This piece is the original two layers of print from the glass plate. It too is on silk. I printed the light green portion first, painting a layer of green Silks acrylic glaze on the plate then pulling off some of the paint using a hand carved feather stamp. Next, I painted the plate with a sparkly, dark blue green Jacquard silk screening ink and ran a comb through it several times. Then I laid the spokey wheel down on the plate, laid down the fabric and pulled the print.
I like both the color combo and the imagery combo. The movement of the combed lines really help to support the bold wheel. I quilted the negative space between the spokes of the wheel about every 1/16" then quilted all of the negative space about every 1/4" in all of the light lines made by the comb.
I like this piece. It's simple and straight forward yet interesting and such a luscious mix of colors.
Well, hopefully I'll get another piece or two pumped out tomorrow.